Steven Sklifas - Writer Photographer

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  • Façade of the Palazzo del Ragno and Fontana delle Rane (Fountain of the Frogs) in Piazza Mincio, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_051.tif
  • Piazza Mincio, with the Fontana delle Rane and a building with an astonishing mix of architectural styles, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_038.tif
  • View of the arched entrance and the Fontana delle Rane (Fountain of the Frogs) in Piazza Mincio, Quartiere Coppede, Rome, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_028.tif
  • The fairy tale like arched entrance to the Rome neighbourhood known as Quartiere Coppede, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_026.tif
  • The fairy tale like arched entrance to the Rome neighbourhood known as Quartiere Coppede, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_023.tif
  • Detail of a sculpture on the fairy tale like arched entrance to the Rome neighbourhood known as Quartiere Coppede, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_019.tif
  • The fairy tale like arched entrance to the Rome neighbourhood known as Quartiere Coppede, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_013.tif
  • Façade of the Palazzo del Ragno and Fontana delle Rane (Fountain of the Frogs) in Piazza Mincio, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_005.tif
  • Qasr Libya. Cyrenaica. Libya. View of the now empty squares of the Eastern Church floor where the fifty mosaics were found, before being moved to the museum. The Church is located juts 100 metres from the museum. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around 529-40 AD in the period of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_025.tif
  • Qasr Libya. Cyrenaica. Libya. Close-up view inside the museum of the intricate details on one of the extraordinary collection of fifty mosaics that were found in the floor of the Eastern Church. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around AD 529-40 during the reign of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_022.tif
  • Embassy of the Republic of Congo, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_068.tif
  • The delightful and decorative Villino delle Fate in Piazza Mincio, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_066.tif
  • The delightful decorative Villino delle Fate and the Fontana delle Rane in Piazza Mincio, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_064.tif
  • The Palazzo del Ragno, made of travertine marble, bricks and wood, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_059.tif
  • The Palazzo del Ragno, with an impressive decorative sculptured marble head above its entrance, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_060.tif
  • The Palazzo del Ragno, made of travertine marble, bricks and wood, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_058.tif
  • Façade of the Palazzo del Ragno and Fontana delle Rane (Fountain of the Frogs) in Piazza Mincio, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_056.tif
  • Façade of the Palazzo del Ragno and Fontana delle Rane (Fountain of the Frogs) in Piazza Mincio, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_055.tif
  • Façade of the Palazzo del Ragno and Fontana delle Rane (Fountain of the Frogs) in Piazza Mincio, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_053.tif
  • Façade of the Palazzo del Ragno and Fontana delle Rane (Fountain of the Frogs) in Piazza Mincio, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_049.tif
  • Façade of the Palazzo del Ragno and Fontana delle Rane (Fountain of the Frogs) in Piazza Mincio, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_047.tif
  • Piazza Mincio, with the Fontana delle Rane and a building with an astonishing mix of architectural styles, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_046.tif
  • Sprouting head of the Fontana delle Rane (Fountain of the Frogs) in Piazza Mincio, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_044.tif
  • Piazza Mincio, with the Fontana delle Rane and a building with an astonishing mix of architectural styles, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_042.tif
  • Piazza Mincio, with the Fontana delle Rane and a building with an astonishing mix of architectural styles, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_037.tif
  • View of the arched entrance and the Fontana delle Rane (Fountain of the Frogs) in Piazza Mincio, Quartiere Coppede, Rome, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_032.tif
  • View of the arched entrance and the Fontana delle Rane (Fountain of the Frogs) in Piazza Mincio, Quartiere Coppede, Rome, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_029.tif
  • The fairy tale like arched entrance to the Rome neighbourhood known as Quartiere Coppede, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_027.tif
  • The fairy tale like arched entrance to the Rome neighbourhood known as Quartiere Coppede, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_025.tif
  • The fairy tale like arched entrance to the Rome neighbourhood known as Quartiere Coppede, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_021.tif
  • The fairy tale like arched entrance to the Rome neighbourhood known as Quartiere Coppede, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_017.tif
  • The fairy tale like arched entrance to the Rome neighbourhood known as Quartiere Coppede, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_016.tif
  • The fairy tale like arched entrance to the Rome neighbourhood known as Quartiere Coppede, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_014.tif
  • The fairy tale like arched entrance to the Rome neighbourhood known as Quartiere Coppede, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_015.tif
  • The fairy tale like arched entrance to the Rome neighbourhood known as Quartiere Coppede, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_010.tif
  • The fairy tale like arched entrance to the Rome neighbourhood known as Quartiere Coppede, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_011.tif
  • The fairy tale like arched entrance to the Rome neighbourhood known as Quartiere Coppede, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_008.tif
  • The fairy tale like arched entrance to the Rome neighbourhood known as Quartiere Coppede, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_007.tif
  • The fairy tale like arched entrance to the Rome neighbourhood known as Quartiere Coppede, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_009.tif
  • The fairy tale like arched entrance to the Rome neighbourhood known as Quartiere Coppede, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_006.tif
  • Piazza Mincio, with the Fontana delle Rane and a building with an astonishing mix of architectural styles, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_004.tif
  • The fairy tale like arched entrance to the Rome neighbourhood known as Quartiere Coppede, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_001.tif
  • Piazza Mincio, with the Fontana delle Rane and a building with an astonishing mix of architectural styles, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_003.tif
  • Qasr Libya. Cyrenaica. Libya. View of the entrance of the Eastern Church where the fifty mosaics were found in the church floor, before being moved to the museum. The Church is located just 100 metres from the museum. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around 529-40 AD during the period of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.  One of the most famous mosaics has a rare representation of the famous Lighthouse of Alexander. The wonderfully preserved mosaics were accidently discovered in 1957 when Libyan labourers who were digging for building stone unearthed two Byzantine Churches. The mosaics and two Churches were part of the ancient town of Olbia and are located approximately 50 kilometres from Cyrene.
    Libya_Qasr-Libya_Museum_027.tif
  • Qasr Libya. Cyrenaica. Libya. View of the now empty squares of the Eastern Church floor where the fifty mosaics were found, before being moved to the museum. The Church is located juts 100 metres from the museum. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around 529-40 AD in the period of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_026.tif
  • Qasr Libya. Cyrenaica. Libya. View inside of the museum of the extraordinary collection of mosaics that were found in the Eastern Church. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around AD 529-40 during the reign of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_024.tif
  • Qasr Libya. Cyrenaica. Libya. Close-up view inside the museum of the intricate details on one of the extraordinary collection of fifty mosaics that were found in the floor of the Eastern Church. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around AD 529-40 during the reign of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_021.tif
  • Qasr Libya. Cyrenaica. Libya. View inside of the museum of two of the extraordinary collection of fifty mosaics that were found in the floor of Eastern Church at Qasr Libya.. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around AD 529-40 during the reign of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_018.tif
  • Qasr Libya. Cyrenaica. Libya. View inside of the museum of two of the extraordinary collection of fifty mosaics that were found in the floor of Eastern Church at Qasr Libya.. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around AD 529-40 during the reign of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_016.tif
  • Qasr Libya. Cyrenaica. Libya. View inside of the museum of two of the extraordinary collection of fifty mosaics that were found in the floor of Eastern Church at Qasr Libya.. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around AD 529-40 during the reign of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_014.tif
  • Qasr Libya. Cyrenaica. Libya. Close-up view inside of the museum of a section of the largest mosaic that was found in the northern aisle of the Eastern Church. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around AD 529-40 during the reign of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_010.tif
  • Qasr Libya. Cyrenaica. Libya. Close-up view inside the museum of the intricate details on one of the extraordinary collection of fifty mosaics that were found in the floor of the Eastern Church. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around AD 529-40 during the reign of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_008.tif
  • Qasr Libya. Cyrenaica. Libya. View inside of the museum of the extraordinary collection of mosaics that were found in the Eastern Church. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around AD 529-40 during the reign of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_006.tif
  • Qasr Libya. Cyrenaica. Libya. View inside of the museum at Libya of the largest mosaic that was found in the northern aisle of the Eastern Church. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around AD 529-40 during the reign of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_002.tif
  • The delightful and decorative Villino delle Fate in Piazza Mincio, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_067.tif
  • The delightful decorative Villino delle Fate and the Fontana delle Rane in Piazza Mincio, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_065.tif
  • The Palazzo del Ragno, made of travertine marble, bricks and wood, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_063.tif
  • The Palazzo del Ragno, made of travertine marble, bricks and wood, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_062.tif
  • The Palazzo del Ragno, with an impressive decorative sculptured marble head above its entrance, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_061.tif
  • The Palazzo del Ragno, made of travertine marble, bricks and wood, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_057.tif
  • Façade of the Palazzo del Ragno and Fontana delle Rane (Fountain of the Frogs) in Piazza Mincio, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_054.tif
  • Façade of the Palazzo del Ragno and Fontana delle Rane (Fountain of the Frogs) in Piazza Mincio, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_052.tif
  • Façade of the Palazzo del Ragno and Fontana delle Rane (Fountain of the Frogs) in Piazza Mincio, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_048.tif
  • Piazza Mincio, with the Fontana delle Rane and a building with an astonishing mix of architectural styles, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_045.tif
  • Piazza Mincio, with the Fontana delle Rane and a building with an astonishing mix of architectural styles, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_043.tif
  • Piazza Mincio, with the Fontana delle Rane and a building with an astonishing mix of architectural styles, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_041.tif
  • Piazza Mincio, with the Fontana delle Rane and a building with an astonishing mix of architectural styles, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_039.tif
  • Piazza Mincio, with the Fontana delle Rane and buildings with an astonishing mix of architectural styles, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_040.tif
  • View of the arched entrance and the Fontana delle Rane (Fountain of the Frogs) in Piazza Mincio, Quartiere Coppede, Rome, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_036.tif
  • View of the arched entrance and the Fontana delle Rane (Fountain of the Frogs) in Piazza Mincio, Quartiere Coppede, Rome, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_035.tif
  • View of the arched entrance and the Fontana delle Rane (Fountain of the Frogs) in Piazza Mincio, Quartiere Coppede, Rome, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_034.tif
  • View of the arched entrance and the Fontana delle Rane (Fountain of the Frogs) in Piazza Mincio, Quartiere Coppede, Rome, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_033.tif
  • View of the arched entrance and the Fontana delle Rane (Fountain of the Frogs) in Piazza Mincio, Quartiere Coppede, Rome, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_031.tif
  • The fairy tale like arched entrance to the Rome neighbourhood known as Quartiere Coppede, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_024.tif
  • The fairy tale like arched entrance to the Rome neighbourhood known as Quartiere Coppede, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_022.tif
  • Detail of the artwork that tops one of the towers on arched entrance to the Rome neighbourhood known as Quartiere Coppede, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_020.tif
  • Qasr Libya. Cyrenaica. Libya. Partial view of the exterior of the museum at Qasr Libya where the fifty mosaics found in the Eastern Church were moved to. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around 529-40 AD in the period of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_031.tif
  • Qasr Libya. Cyrenaica. Libya. View of the remains of the atrium at the entrance of the Eastern Church where the fifty mosaics were found in the church floor, before being moved to the museum. The Church is located just 100 metres from the museum. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around 529-40 AD during the period of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.  One of the most famous mosaics has a rare representation of the famous Lighthouse of Alexander. The wonderfully preserved mosaics were accidently discovered in 1957 when Libyan labourers who were digging for building stone unearthed two Byzantine Churches. The mosaics and two Churches were part of the ancient town of Olbia and are located approximately 50 kilometres from Cyrene.
    Libya_Qasr-Libya_Museum_030.tif
  • Qasr Libya. Cyrenaica. Libya. View of the remains of the atrium at the entrance of the Eastern Church where the fifty mosaics were found in the church floor, before being moved to the museum. The Church is located just 100 metres from the museum. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around 529-40 AD during the period of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.  One of the most famous mosaics has a rare representation of the famous Lighthouse of Alexander. The wonderfully preserved mosaics were accidently discovered in 1957 when Libyan labourers who were digging for building stone unearthed two Byzantine Churches. The mosaics and two Churches were part of the ancient town of Olbia and are located approximately 50 kilometres from Cyrene.
    Libya_Qasr-Libya_Museum_029.tif
  • Qasr Libya. Cyrenaica. Libya. View of the remains of the atrium at the entrance of the Eastern Church where the fifty mosaics were found in the church floor, before being moved to the museum. The Church is located just 100 metres from the museum. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around 529-40 AD during the period of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.  One of the most famous mosaics has a rare representation of the famous Lighthouse of Alexander. The wonderfully preserved mosaics were accidently discovered in 1957 when Libyan labourers who were digging for building stone unearthed two Byzantine Churches. The mosaics and two Churches were part of the ancient town of Olbia and are located approximately 50 kilometres from Cyrene.
    Libya_Qasr-Libya_Museum_028.tif
  • Qasr Libya. Cyrenaica. Libya. Close-up view inside the museum of the intricate details on one of the extraordinary collection of fifty mosaics that were found in the floor of the Eastern Church. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around AD 529-40 during the reign of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_023.tif
  • Qasr Libya. Cyrenaica. Libya. Close-up view inside the museum of the intricate details on one of the extraordinary collection of fifty mosaics that were found in the floor of the Eastern Church. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around AD 529-40 during the reign of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_020.tif
  • Qasr Libya. Cyrenaica. Libya. View inside of the museum of two of the extraordinary collection of fifty mosaics that were found in the floor of Eastern Church at Qasr Libya.. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around AD 529-40 during the reign of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_019.tif
  • Qasr Libya. Cyrenaica. Libya. View inside of the museum of two of the extraordinary collection of fifty mosaics that were found in the floor of Eastern Church at Qasr Libya.. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around AD 529-40 during the reign of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_017.tif
  • Qasr Libya. Cyrenaica. Libya. View inside of the museum of two of the extraordinary collection of fifty mosaics that were found in the floor of Eastern Church at Qasr Libya.. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around AD 529-40 during the reign of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_015.tif
  • Qasr Libya. Cyrenaica. Libya. View inside of the museum of two of the extraordinary collection of fifty mosaics that were found in the floor of Eastern Church at Qasr Libya.. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around AD 529-40 during the reign of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_013.tif
  • Qasr Libya. Cyrenaica. Libya. View inside of the museum of two of the extraordinary collection of fifty mosaics that were found in the floor of Eastern Church at Qasr Libya.. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around AD 529-40 during the reign of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_011.tif
  • Qasr Libya. Cyrenaica. Libya. Close-up view inside the museum of the intricate details on one of the extraordinary collection of fifty mosaics that were found in the floor of the Eastern Church. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around AD 529-40 during the reign of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_009.tif
  • Qasr Libya. Cyrenaica. Libya. Close-up view inside of the museum of a section of the largest mosaic that was found in the northern aisle of the Eastern Church. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around AD 529-40 during the reign of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_007.tif
  • Qasr Libya. Cyrenaica. Libya. View inside of the museum of the extraordinary collection of mosaics that were found in the Eastern Church. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around AD 529-40 during the reign of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_005.tif
  • Qasr Libya. Cyrenaica. Libya. Close-up view inside of the museum of a section of the largest mosaic that was found in the northern aisle of the Eastern Church. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around AD 529-40 during the reign of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_004.tif
  • Qasr Libya. Cyrenaica. Libya. View inside of the museum at Libya of the largest mosaic that was found in the northern aisle of the Eastern Church. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around AD 529-40 during the reign of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_003.tif
  • Qasr Libya. Cyrenaica. Libya. View inside of the museum of the extraordinary collection of mosaics that were found in the Eastern Church. The lively and colourful mosaics of Qasr Libya are considered some of the finest examples of Byzantine period art ever discovered. Dating from around AD 529-40 during the reign of Emperor Justinian, the mosaics subjects range from animals, plants and mythological creatures.
    Libya_Qasr-Libya_Museum_001.tif
  • Façade of the Palazzo del Ragno and Fontana delle Rane (Fountain of the Frogs) in Piazza Mincio, Quartiere Coppede, Rome, Italy. The Florentine architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_050.tif
  • View of the arched entrance and the Fontana delle Rane (Fountain of the Frogs) in Piazza Mincio, Quartiere Coppede, Rome, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_030.tif
  • Detail of a sculpture on the fairy tale like arched entrance to the Rome neighbourhood known as Quartiere Coppede, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_018.tif
  • The fairy tale like arched entrance to the Rome neighbourhood known as Quartiere Coppede, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_012.tif
  • View of the arched entrance and the Fontana delle Rane (Fountain of the Frogs) in Piazza Mincio, Quartiere Coppede, Rome, Italy. The architect and sculptor Gino Coppede (1886-1927) was responsible for the dazzlingly entrance, the fountain and the 20 or so other architecturally Art Nouveau style and eclectic buildings in the exclusive Quartiere Coppede.
    Quartiere_Coppede_Rome_Italy_002.tif
  • Slonta. Libya. View of the unique rock sculptures at a religious cult sanctuary made by the indigenous Libyan population that possibly date to a time before Greeks arrived in the area in the 7th century BC. The site has curious mix of carvings in the rock including childlike figures, human faces and various animal figures like pigs, lions, sheep, horses, dogs and snakes. It is believed the temple’s round rock pillar base in the centre of the small site supported the roof of the cave in which collapsed at an unknown time in the past.
    Libya-Slonta-017.tif
  • Slonta. Libya. View of the unique rock sculptures at a religious cult sanctuary made by the indigenous Libyan population that possibly date to a time before Greeks arrived in the area in the 7th century BC. The site has curious mix of carvings in the rock including childlike figures, human faces and various animal figures like pigs, lions, sheep, horses, dogs and snakes. It is believed the temple’s round rock pillar base in the centre of the small site supported the roof of the cave in which collapsed at an unknown time in the past.
    Libya-Slonta-014.tif
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