Steven Sklifas - Writer Photographer

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  • Dougga. Tunisia. View along a small stone paved pathway towards the imposing Capitolium. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_013.tif
  • Dougga. Tunisia. View along a small stone paved pathway towards the imposing Capitolium. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_014.tif
  • Dougga. Tunisia. View of the portico of the imposing Capitolium. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall, fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_023.tif
  • Dougga. Tunisia. View of the portico of the imposing Capitolium. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall, fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_022.tif
  • Dougga. Tunisia. View from the interior of the Capitolium through its imposing 8 metre high columns. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_031.tif
  • Dougga. Tunisia. View across various jumbled archeological site ruins towards the imposing Capitolium. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_039.tif
  • Dougga. Tunisia. View of the bare interior of the imposing Capitolium. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_036.tif
  • Dougga. Tunisia. View of the steps leading to the portico of the imposing Capitolium. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_026.tif
  • Dougga. Tunisia. View from the interior of the Capitolium through its imposing 8 metre high columns. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_032.tif
  • Dougga. Tunisia. View of the steps leading to the portico of the imposing Capitolium. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_027.tif
  • Dougga. Tunisia. View from the interior of the Capitolium through its imposing 8 metre high columns. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_030.tif
  • Dougga. Tunisia. View over ruins of the North West side of the imposing Capitolium. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_012.tif
  • Dougga. Tunisia. View of broken stones blocks inscribed with Latin text at the imposing Capitolium. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_037.tif
  • Dougga. Tunisia. View from the forum of the west side of the imposing Capitolium. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_040.tif
  • Dougga. Tunisia. View of the bare interior of the imposing Capitolium. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_034.tif
  • Dougga. Tunisia. View from the interior of the Capitolium through its imposing 8 metre high columns. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_029.tif
  • Dougga. Tunisia. View from the interior of the Capitolium through its imposing 8 metre high columns. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_033.tif
  • Dougga. Tunisia. View from the Square of the winds of the imposing Capitolium. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_025.tif
  • Dougga. Tunisia. View from the Square of the winds of the imposing Capitolium. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_024.tif
  • Dougga. Tunisia. View across various jumbled archeological site ruins towards the imposing Capitolium. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_038.tif
  • Dougga. Tunisia. View from the interior of the Capitolium through its imposing 8 metre high columns. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_028.tif
  • Dougga. Tunisia. View of the steps leading to the portico of the imposing Capitolium. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_001.tif
  • Dougga. Tunisia. View from the forum of the west side of the imposing Capitolium. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_041.tif
  • Dougga. Tunisia. View of the bare interior of the imposing Capitolium. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_035.tif
  • Dougga. Tunisia. View of the Capitolium and its grand portico through the striking doorway of the Dar el-Achab. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_056.tif
  • Dougga. Tunisia. View of the imposing Capitolium from the Dar el-Achab with its striking doorway. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_054.tif
  • Dougga. Tunisia. View of the Capitolium and its grand portico through the striking doorway of the Dar el-Achab. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_055.tif
  • Dougga. Tunisia. View of the Capitolium and its grand portico through the striking doorway of the Dar el-Achab. Dating from 166 AD and dedicated to the gods Saturn, Juno and Minerva, the impressive Capitolium portico is fronted with six enormously tall fluted columns topped by a pediment which features a Relief sculpture of Emperor Antoninus Pius.
    Tunisia_Dougga_003.tif
  • Dougga. Tunisia. Distant view of the imposing Capitolium from the Temple of Concord complex.
    Tunisia_Dougga_021.tif
  • Dougga. Tunisia. Distant view of the imposing Capitolium from the Temple of Concord complex.
    Tunisia_Dougga_020.tif
  • Dougga. Tunisia. View of rows of steps leading to two standing pillars at side entrance to the Temple of Concord complex.
    Tunisia_Dougga_016.tif
  • Dougga. Tunisia. View of the 3 tiers of 19 rows each which accommodated an audience of 3500 of the well preserved ancient Roman theatre. Dating from 168 AD, the theatre is carved into a hill and accommodated an audience of 3500. An inscription proclaims that Publius Marcius Quadratus, a wealthy resident, financed the building of the theatre.
    Tunisia_Dougga_096.tif
  • Dougga. Tunisia. View of rows of seats at a small theatre on the east side of the archaeological site. The ruins of the small theatre are just below the complex of temples dedicated to the Roman gods Concord, Frugifer, and Liber Pater.
    Tunisia_Dougga_070.tif
  • Dougga. Tunisia. View over ruins of houses to the mid photo remains of the House of the Trefoil and Baths of Cyclops. In the far right is the Libya-Punic Mausoleum.
    Tunisia_Dougga_071.tif
  • Dougga. Tunisia. View of standing columns of the palestra which was a large peristyle room at the Licinian Baths. Dating from 260 AD, the baths also known as Thermes de Caracalla, is a large fortress like complex with columns, mosaics and the large central room which is the frigidarium. Its construction was financed by a wealthy family of the period.
    Tunisia_Dougga_066.tif
  • Dougga. Tunisia. View within the large central room which is the frigidarium of the Licinian Baths. Dating from 260 AD, the baths also known as Thermes de Caracalla, is a large fortress like complex with columns and mosaics and intact walls. Its construction was financed by a wealthy family of the period.
    Tunisia_Dougga_057.tif
  • Dougga. Tunisia. View of the 3 tiers of 19 rows each which accommodated an audience of 3500 of the well preserved ancient Roman theatre. Dating from 168 AD, the theatre is carved into a hill and accommodated an audience of 3500. An inscription proclaims that Publius Marcius Quadratus, a wealthy resident, financed the building of the theatre.
    Tunisia_Dougga_093.tif
  • Dougga. Tunisia. View overlooking the remains of the east side of the archaeological site with the fertile valley below the ancient city. In the foreground are ruins a small theatre which is just below the complex of temples dedicated to the Roman gods Concord, Frugifer, and Liber Pater.
    Tunisia_Dougga_011.tif
  • Dougga. Tunisia. View of the 3 tiers of 19 rows each which accommodated an audience of 3500 of the well preserved ancient Roman theatre. Dating from 168 AD, the theatre is carved into a hill and accommodated an audience of 3500. An inscription proclaims that Publius Marcius Quadratus, a wealthy resident, financed the building of the theatre.
    Tunisia_Dougga_095.tif
  • Dougga. Tunisia. Two columns form an arched entrance to the large central room which is the frigidarium of the Licinian Baths. Dating from 260 AD, the baths also known as Thermes de Caracalla, is a large fortress like complex with columns and mosaics and intact walls. Its construction was financed by a wealthy family of the period.
    Tunisia_Dougga_059.tif
  • Dougga. Tunisia. Two columns form an arch boundary to the large central room which is the frigidarium of the Licinian Baths . Dating from 260 AD, the baths also known as Thermes de Caracalla, is a large fortress like complex with columns and mosaics and intact walls. Its construction was financed by a wealthy family of the period.
    Tunisia_Dougga_058.tif
  • Dougga. Tunisia. View over ruins towards the Dar el Achab edifice with its imposing doorway. Dating from 164 AD and believed originally to be a Temple and was named after a Roman deity. The building was re-named after a Arab family that once occupied it.
    Tunisia_Dougga_052.tif
  • Dougga. Tunisia. View of the Roman forum which dates from around 34 AD and was originally flanked columns.
    Tunisia_Dougga_042.tif
  • Dougga. Tunisia. View of rows of steps leading to two standing pillars at side entrance to the Temple of Concord complex.
    Tunisia_Dougga_017.tif
  • Dougga. Tunisia. View of an intact stone wall with a variety of small and large stone blocks along a section of the archaeological site.
    Tunisia_Dougga_069.tif
  • Dougga. Tunisia. View of standing columns of the palestra which was a large peristyle room at the Licinian Baths. Dating from 260 AD, the baths also known as Thermes de Caracalla, is a large fortress like complex with columns, mosaics and the large central room which is the frigidarium. Its construction was financed by a wealthy family of the period.
    Tunisia_Dougga_062.tif
  • Dougga. Tunisia. View of standing columns of the palestra which was a large peristyle room at the Licinian Baths. Dating from 260 AD, the baths also known as Thermes de Caracalla, is a large fortress like complex with columns, mosaics and the large central room which is the frigidarium. Its construction was financed by a wealthy family of the period.
    Tunisia_Dougga_061.tif
  • Dougga. Tunisia. Two columns form an arched entrance to the large central room which is the frigidarium of the Licinian Baths. Dating from 260 AD, the baths also known as Thermes de Caracalla, is a large fortress like complex with columns and mosaics and intact walls. Its construction was financed by a wealthy family of the period.
    Tunisia_Dougga_060.tif
  • Dougga. Tunisia. View of a vaulted arched tunnel the orchestra section of the well-preserved ancient Roman theatre. Dating from 168 AD, the theatre is carved into a hill and consisted of 3 tiers of 19 rows each which accommodated an audience of 3500. An inscription proclaims that Publius Marcius Quadratus, a wealthy resident, financed the building of the theatre.
    Tunisia_Dougga_098.tif
  • Dougga. Tunisia. View of the well preserved ancient Roman theatre. Dating from 168 AD, the theatre is carved into a hill and consisted of 3 tiers of 19 rows each which accommodated an audience of 3500. An inscription proclaims that Publius Marcius Quadratus, a wealthy resident, financed the building of the theatre.
    Tunisia_Dougga_080.tif
  • Dougga. Tunisia. View of the Dar el Achab edifice with its imposing doorway. Dating from 164 AD and believed originally to be a Temple and was named after a Roman deity. The building was re-named after a Arab family that once occupied it.
    Tunisia_Dougga_053.tif
  • Dougga. Tunisia. View of an ancient Roman stone paved street that cuts through the city.
    Tunisia_Dougga_051.tif
  • Dougga. Tunisia. View of an ancient Roman stone paved street that cuts through the city. In the far left is the large fortress like complex known as the Licinian Baths.
    Tunisia_Dougga_049.tif
  • Dougga. Tunisia. View of rows of steps leading to two standing pillars at side entrance to the Temple of Concord complex.
    Tunisia_Dougga_019.tif
  • Dougga. Tunisia. View of stone blocks or monuments inscribed with Latin text overlooking the fertile valley below the ancient city.
    Tunisia_Dougga_007.tif
  • Dougga. Tunisia. View of the well preserved ancient Roman theatre. Dating from 168 AD, the theatre is carved into a hill and consisted of 3 tiers of 19 rows each which accommodated an audience of 3500. An inscription proclaims that Publius Marcius Quadratus, a wealthy resident, financed the building of the theatre.
    Tunisia_Dougga_002.tif
  • Dougga. Tunisia. View of the well preserved ancient Roman theatre. Dating from 168 AD, the theatre is carved into a hill and consisted of 3 tiers of 19 rows each which accommodated an audience of 3500. An inscription proclaims that Publius Marcius Quadratus, a wealthy resident, financed the building of the theatre.
    Tunisia_Dougga_085.tif
  • Dougga. Tunisia. View towards the ruins of the Triumphal Arch of Septimus Severus which dates from 205 AD. It was built in honor of the only Roman Emperor born in Africa.
    Tunisia_Dougga_072.tif
  • Dougga. Tunisia. View of the Roman forum which dates from around 34 AD and was originally flanked columns.
    Tunisia_Dougga_043.tif
  • Dougga. Tunisia. View of stone blocks or monuments inscribed with Latin text overlooking the fertile valley below the ancient city.
    Tunisia_Dougga_008.tif
  • Dougga. Tunisia. View within the large central room which is the frigidarium of the Licinian Baths. Dating from 260 AD, the baths also known as Thermes de Caracalla, is a large fortress like complex with columns and mosaics and intact walls. Its construction was financed by a wealthy family of the period.
    Tunisia_Dougga_004.tif
  • Dougga. Tunisia. View of the 3 tiers of 19 rows each which accommodated an audience of 3500 of the well preserved ancient Roman theatre. Dating from 168 AD, the theatre is carved into a hill and accommodated an audience of 3500. An inscription proclaims that Publius Marcius Quadratus, a wealthy resident, financed the building of the theatre.
    Tunisia_Dougga_094.tif
  • Dougga. Tunisia. View through two columns of the seating section of well-preserved ancient Roman theatre. Dating from 168 AD, the theatre is carved into a hill and consisted of 3 tiers of 19 rows each which accommodated an audience of 3500. An inscription proclaims that Publius Marcius Quadratus, a wealthy resident, financed the building of the theatre.
    Tunisia_Dougga_092.tif
  • Dougga. Tunisia. View of the well preserved ancient Roman theatre. Dating from 168 AD, the theatre is carved into a hill and consisted of 3 tiers of 19 rows each which accommodated an audience of 3500. An inscription proclaims that Publius Marcius Quadratus, a wealthy resident, financed the building of the theatre.
    Tunisia_Dougga_087.tif
  • Dougga. Tunisia. View of the well preserved ancient Roman theatre. Dating from 168 AD, the theatre is carved into a hill and consisted of 3 tiers of 19 rows each which accommodated an audience of 3500. An inscription proclaims that Publius Marcius Quadratus, a wealthy resident, financed the building of the theatre.
    Tunisia_Dougga_082.tif
  • Dougga. Tunisia. View of the large courtyard with standing pillars of the House of the Trefoil which was believed to have been the town brothel.
    Tunisia_Dougga_074.tif
  • Dougga. Tunisia. View of the solid intact south east outer walls of the Licinian Baths. Dating from 260 AD, the baths also known as Thermes de Caracalla, is a large fortress like complex with columns and mosaics and intact walls. Its construction was financed by a wealthy family of the period.
    Tunisia_Dougga_067.tif
  • Dougga. Tunisia. View of pathway that leads to upper seating around the ancient Roman theatre. Dating from 168 AD, the theatre is carved into a hill and consisted of 3 tiers of 19 rows each which accommodated an audience of 3500. An inscription proclaims that Publius Marcius Quadratus, a wealthy resident, financed the building of the theatre.
    Tunisia_Dougga_091.tif
  • Dougga. Tunisia. View of the large central room which is the frigidarium of the Licinian Baths. Dating from 260 AD, the baths also known as Thermes de Caracalla, is a large fortress like complex with columns and mosaics and intact walls. Its construction was financed by a wealthy family of the period.
    Tunisia_Dougga_063.tif
  • Dougga. Tunisia. View of the 3 tiers of 19 rows each which accommodated an audience of 3500 of the well preserved ancient Roman theatre. Dating from 168 AD, the theatre is carved into a hill and accommodated an audience of 3500. An inscription proclaims that Publius Marcius Quadratus, a wealthy resident, financed the building of the theatre.
    Tunisia_Dougga_097.tif
  • Dougga. Tunisia. View of an ancient Roman stone paved street that cuts through the city.
    Tunisia_Dougga_050.tif
  • Dougga. Tunisia. View of the well preserved ancient Roman theatre. Dating from 168 AD, the theatre is carved into a hill and consisted of 3 tiers of 19 rows each which accommodated an audience of 3500. An inscription proclaims that Publius Marcius Quadratus, a wealthy resident, financed the building of the theatre.
    Tunisia_Dougga_086.tif
  • Dougga. Tunisia. View of the well preserved ancient Roman theatre. Dating from 168 AD, the theatre is carved into a hill and consists of 3 tiers of 19 rows each which accommodated an audience of 3500. An Latin inscription proclaims that Publius Marcius Quadratus, a wealthy resident, financed the building of the theatre.
    Tunisia_Dougga_079.tif
  • Dougga. Tunisia. View of an intact paved street and stone walls along a section of the archaeological site.
    Tunisia_Dougga_068.tif
  • Dougga. Tunisia. View of stone blocks or monuments inscribed with Latin text overlooking the fertile valley below the ancient city.
    Tunisia_Dougga_006.tif
  • Dougga. Tunisia. View of pathway that leads to upper seating around the ancient Roman theatre. Dating from 168 AD, the theatre is carved into a hill and consisted of 3 tiers of 19 rows each which accommodated an audience of 3500. An inscription proclaims that Publius Marcius Quadratus, a wealthy resident, financed the building of the theatre.
    Tunisia_Dougga_090.tif
  • Dougga. Tunisia. View of the well preserved ancient Roman theatre. Dating from 168 AD, the theatre is carved into a hill and consisted of 3 tiers of 19 rows each which accommodated an audience of 3500. An inscription proclaims that Publius Marcius Quadratus, a wealthy resident, financed the building of the theatre.
    Tunisia_Dougga_088.tif
  • Dougga. Tunisia. View of an entrance to the vaulted tunnels that provides access to the seating section of well-preserved ancient Roman theatre. Dating from 168 AD, the theatre is carved into a hill and consisted of 3 tiers of 19 rows each which accommodated an audience of 3500. An inscription proclaims that Publius Marcius Quadratus, a wealthy resident, financed the building of the theatre.
    Tunisia_Dougga_089.tif
  • Dougga. Tunisia. View of the well preserved ancient Roman theatre. Dating from 168 AD, the theatre is carved into a hill and consisted of 3 tiers of 19 rows each which accommodated an audience of 3500. An inscription proclaims that Publius Marcius Quadratus, a wealthy resident, financed the building of the theatre.
    Tunisia_Dougga_083.tif
  • Dougga. Tunisia. View of the well preserved ancient Roman theatre. Dating from 168 AD, the theatre is carved into a hill and consisted of 3 tiers of 19 rows each which accommodated an audience of 3500. An inscription proclaims that Publius Marcius Quadratus, a wealthy resident, financed the building of the theatre.
    Tunisia_Dougga_084.tif
  • Dougga. Tunisia. View of the well preserved ancient Roman theatre. Dating from 168 AD, the theatre is carved into a hill and consisted of 3 tiers of 19 rows each which accommodated an audience of 3500. An inscription proclaims that Publius Marcius Quadratus, a wealthy resident, financed the building of the theatre.
    Tunisia_Dougga_081.tif
  • Dougga. Tunisia. View of the well preserved ancient Roman theatre. Dating from 168 AD, the theatre is carved into a hill and consists of 3 tiers of 19 rows each which accommodated an audience of 3500. An Latin inscription proclaims that Publius Marcius Quadratus, a wealthy resident, financed the building of the theatre.
    Tunisia_Dougga_078.tif
  • Dougga. Tunisia. View of the well preserved ancient Roman theatre. Dating from 168 AD, the theatre is carved into a hill and consists of 3 tiers of 19 rows each which accommodated an audience of 3500. An inscription proclaims that Publius Marcius Quadratus, a wealthy resident, financed the building of the theatre.
    Tunisia_Dougga_077.tif
  • Dougga. Tunisia. View of the large courtyard with standing pillars of the House of the Trefoil which was believed to have been the town brothel.
    Tunisia_Dougga_075.tif
  • Dougga. Tunisia. View of two large standing columns that lead to the terrace above the House of the Trefoil which was believed to have been the town brothel.
    Tunisia_Dougga_076.tif
  • Dougga. Tunisia. View of remains of the House of the Trefoil-on right- and Baths of Cyclops. In the far right is the Libya-Punic Mausoleum.
    Tunisia_Dougga_073.tif
  • Dougga. Tunisia. View of standing columns of the palestra which was a large peristyle room at the Licinian Baths. Dating from 260 AD, the baths also known as Thermes de Caracalla, is a large fortress like complex with columns, mosaics and the large central room which is the frigidarium. Its construction was financed by a wealthy family of the period.
    Tunisia_Dougga_065.tif
  • Dougga. Tunisia. View of the large central room which is the frigidarium of the Licinian Baths. Dating from 260 AD, the baths also known as Thermes de Caracalla, is a large fortress like complex with columns and mosaics and intact walls. Its construction was financed by a wealthy family of the period.
    Tunisia_Dougga_064.tif
  • Dougga. Tunisia. View of the Alexander Severus Triumphal Arch built in 235 AD.
    Tunisia_Dougga_048.tif
  • Dougga. Tunisia. View of the Alexander Severus Triumphal Arch built in 235 AD.
    Tunisia_Dougga_047.tif
  • Dougga. Tunisia. View of the small 2nd century Temple of Augustine Piety beside the Square of the winds.
    Tunisia_Dougga_046.tif
  • Temple of Augustine Piety. Dougga. Tunisia. On right is the small 2nd century Temple of Augustine Piety beside the Square of the winds.
    Tunisia_Dougga_045.tif
  • Dougga. Tunisia. View of the Square of the winds which dates from around 190AD. The Square gets its name from a compass based inscription in its paving which names the twelve Roman winds.
    Tunisia_Dougga_044.tif
  • Dougga. Tunisia. View of rows of steps leading to two standing pillars at side entrance to the Temple of Concord complex.
    Tunisia_Dougga_018.tif
  • Dougga. Tunisia. View through a gap in a stone wall of the landscape below the ancient city.
    Tunisia_Dougga_015.tif
  • Dougga. Tunisia. View overlooking the remains of the east side of the archaeological site with the fertile valley below the ancient city. In the foreground are the ruins of the Baths of Cyclops and House of Trifolium and in the far right is the Punic Mausoleum.
    Tunisia_Dougga_010.tif
  • Dougga. Tunisia. View of stone blocks or monuments inscribed with Latin text overlooking the fertile valley below the ancient city.
    Tunisia_Dougga_009.tif
  • Dougga. Tunisia. View of stone blocks or monuments inscribed with Latin text overlooking the fertile valley below the ancient city.
    Tunisia_Dougga_005.tif
  • Ostia Antica. Lazio. Italy.  View of the Capitolium the ancient town’s most important temple and dedicated to the main Roman deities, Jupiter, Juno and Minerva. Dominating the Forum and built during the reign of Emperor Hadrian (117-138 AD), the prostyle hexastyle building pronaos is reached by a wide flight of steps which had six fluted white marble columns which provided an entrance to the rectangular cells.
    Ostia_Antica_Italy_001.tif
  • Ostia Antica. Lazio. Italy.  View from the forum of the Capitolium, the ancient town’s most important temple and dedicated to the main Roman deities, Jupiter, Juno and Minerva. Dominating the Forum and built during the reign of Emperor Hadrian (117-138 AD), the prostyle hexastyle building pronaos is reached by a wide flight of steps which had six fluted white marble columns which provided an entrance to the rectangular cells.
    Ostia_Antica_Italy_127.tif
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